For many years, the Gypsophila flower has been a source of debate for me. It is unquestionably beautiful, yet its full potential is often overlooked. Traditionally referred to as a filler flower, gypso has gained a reputation for simply 'filling holes' in floral arrangements. But I believe this view does a great injustice and I'm about to tell you why based on a design I created.
Rethinking the Role of Gypsophila
To bring out its full beauty, Gypsophila needs to be thoughtfully combined with the right colors and textures, allowing it to take center stage. When appreciated beyond its role as a filler, this flower becomes something exceptional.
A few months ago, I had the chance to put this into practice. I was invited to participate in an international floral design competition, where the only condition was to use Gypsophila as the main, dominant flower. My initial reaction was one of doubt—I thought it would be challenging to work with a flower I’ve always struggled to connect with. However, I soon saw it as a golden opportunity to reframe my relationship with Gypsophila, to allow it to stand on its own, like delicate pearls woven in a design.
My Design Highlighted the Gracefulness of Gypsophila's Form
With that mindset, I ordered more Gypsophila than I ever had in my entire career. I spent time brainstorming, sketching, and planning how I could bring out its beauty. It was crucial for me to choose the right combinations, giving this flower the stage it deserves. I wanted to create a flexible structure that allowed for natural movement, highlighting the elegance of Gypsophila’s form.
The process was fascinating for me, working with a flower that is less than my cup of tea. But as I worked alongside this tiny white bud, I found the right connection to the flower and learned how to love it. At the end of the day, my creativity and design led to a result that I really liked.
I want to detail the materials I used to create this art piece:
- Salix matsudana Tortuosa
- Gypsophila
- Orchids
- Muehlenbeckia (maidenhair)
- Dry Crocus bulbs
- Dry Cyperus
Additional materials included:
- 0.8 mm wire
- Cold glue
- Paper wire
- Raffia
The techniques I implemented to get the final result of this design were three: wiring, binding, and gluing. Important to note that before starting the design, I placed the flowers in water for three hours to ensure their freshness throughout the process.
What I can say about my experience working with Gypsophila in this competition is that this tiny white flower pushed me out of my comfort zone and allowed me to see it in a completely new light and dimension for creation. It was a rewarding challenge, and in the end, I developed a newfound love and respect for this flower.
Floral design and photography by me. Model: Matan Hertz.
